Visions of a bright future crumble in this harrowing story based on the 2014 kidnapping of 276 Chibok girls by terrorist group Boko Haram. In short, sparse chapters with oft-repeated titles ("The Voice on Papa's Radio"), the unnamed narrator describes her daily life in Nigeria-friends and family, domestic responsibilities, school studies resulting in a government scholarship, and dreams of becoming a teacher. Her hopes vanish when she witnesses her father's slaughter at the hands of militants and then is kidnapped and enslaved with girls and women from her village and forcibly converted to radical Islam. The evocative, incisive portrayal of daily life before and after the abduction brings both realities into stark relief as Nigerian author Nwaubani (I Do Not Come to You by Chance) details unspeakable horrors: the slaying of family and friends, forced marriage and serial rape, a friend's successful indoctrination and willing martyrdom to the Boko Haram cause. An afterword by Italian journalist Mazza recounts the process of interviewing survivors, escapees, and their families as research. Unflinching in its direct view of an ongoing tragedy, this important novel will open discussions about human rights and violence against women and girls worldwide. Ages 13-up. Agent: Jess Regel, Foundry Literary + Media. (Sept.) © Copyright PWxyz, LLC. All rights reserved.

The unnamed young Nigerian narrator of this novel, with a loving family and academic aspirations, is kidnapped by Boko Haram along with many other girls and women from her village. On the day the terrorists came and destroyed her village, they murdered her father and brothers, sparing only the one brother young enough to be taught their way of life. The story chronicles her cheerful, promising life before her abduction as well as the suffering and abuse she endures after being forced to part with her dreams of getting a university scholarship, becoming a teacher, and having her own family. It traverses the girl's life from dutiful Christian daughter and loyal friend to becoming a slave under her kidnappers' radical ruleand pays tribute to the fortitude and grace it takes to not only survive such an ordeal, but to escape it. Nigerian author Nwaubani (I Do Not Come to You by Chance, 2009, etc.) smoothly pulls readers into this narrative. Her words paint beautiful portraits of the joy, hope, and traditions experienced by this girl, her friends, and family with the same masterful strokes as the ones depicting the dreadful agony, loss, and grief they endure. A heavy but necessary story based on the horrendous 2014 Boko Haram kidnapping of 276 Chibok girls, described in an afterword by Italian journalist Mazza.A worthy piece of work that superbly and empathetically tells a heartbreaking tale. (afterword, references, resources) (Fiction. 14-adult) Copyright Kirkus Reviews, used with permission.

"Boko Haram has nothing to do with Allah," reflects the unnamed main character - a teenage girl who stands for so many like her - in this powerful novel that seeks to personalize the 2014 kidnapping of 276 girls from a secondary school in Chibok, a town in northeast Nigeria. "Boko Haram has nothing to do with Islam." It's a realization spun from tragedy: Her older brothers and father have been killed, her youngest brother separated from her, her friends raped. She must go along with her captors in order to survive. But how can anyone survive such a thing? This is a novel brutally divided in two. In the beginning there is braiding her best friend's hair and dreaming about further education - "Back at home, the men and boys know everything, but here at school, I know more than all the boys," she explains. There's taking care of her brother and thinking about her crush and wondering when she will wear a bra. There's listening to Papa's radio, a symbol of the privileged distance of the Western world, through which a broadcaster informs of coordinated attacks by Boko Haram in the same breath as announcing recent Academy Award winners. That radio plays constantly, until it doesn't. Nwaubani, a Nigerian novelist, teamed up with the Italian journalist Viviana Mazza to interview the families of kidnapped girls as the basis for this heartbreaking, necessary account. "To this day, few people around the world know any of these young women's names," Mazza writes in the book's afterword. "They are just numbers. They are faceless." Not anymore.

*Starred Review* The Nigerian terrorist group Boko Haram kidnapped girls from the country's villages in the early to mid-2010s and kept them captive as slaves or wives in the forest. Based on interviews with some of the girls who were taken, this story follows one such girl in a fictionalized account of real-life events. Never named, the narrator reveals her life leading up to her capture one marked by relatable experiences, such as harboring crushes and watching movies with friends, and a bright future which makes the abduction all the more heart-wrenching. Nwaubani uses short chapters, ranging from a few sentences to no more than two pages, to emphasize the youth and innocence of the narrator and the terrible acts she and the other kidnapped girls must endure. It is, unsurprisingly, a difficult read that elicits great sympathy and horror, but it is a necessary story to educate readers on what can happen in the world. Nwaubani's novel is an excellent choice for classroom reading and for those who don't wish to turn a blind eye to injustice. A substantial afterword by journalist Viviana Mazza shares actual stories of some of the victims, along with more detailed information on the Boko Haram kidnappings. Poignant and powerful, this is a story that will be hard for any reader to forget.--Simmons, Florence Copyright 2010 Booklist

An unnamed girl in a remote village in northern Nigeria has many dreams: to have a new pair of shoes, to get enough to eat, to grow up to become a wife and a teacher, and, most ambitiously, to win a government scholarship that will allow her to attend boarding school and then university. In brief chapters, some less than a page long, the narrator relates the quotidian events of her life; the outside world intrudes via Papas radio, always tuned to BBC Hausaand bringing disquieting news of attacks by the radical Islamic terrorist group Boko Haram. Readers come to know the girl well as she spends time with her best friend, Sarah; has a few precious chances to talk to her crush, the pastors son; and is awarded the scholarship. But then Boko Haram arrives, killing the men and boys and kidnapping the girls. The rest of the book describes, in clear, immediate prose, the girls horrific experiencesbeaten, taught that Western education is taboo, forced to convert to Islam (those who refuse are shot), and finally married against her will to a Boko Haram commander and routinely raped. Though the narrator resists indoctrination, Sarah slowly succumbs; her conversion (and ultimate death as a suicide bomber) is convincingly and chillingly portrayed. At books end, the protagonist is rescued but faces a realistically mixed future. A lengthy (and rather rambling) afterword by journalist Viviana Mazza about the 2014 Chibok kidnapping provides more background. martha v. parravano January/February 2019 p 99(c) Copyright 2018. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Gr 8 Up-Ya Ta does not want to settle for a life dictated by her papa in her Nigerian village of Borno State. She dreams of a new pair of shoes, a university degree, and a life with Success, the son of her pastor. However, she is kidnapped with other young girls, such as her best friend Sarah and married Muslim schoolmate Aisha, by the terrorist group Boko Haram, in the middle of the night. The young women are taken to the Sambisa Forest, where they are forced to adopt a radical Islamic life and experience punishments, atrocities, and abuses. Nwaubani has crafted an emotional yet empowering tale based on the true story of 276 Nigerian girls kidnapped by Boko Haram in 2014. The author incorporates themes that are ripe for discussion, such as the importance of education of girls all over the world and how Ya Ta's Hausa culture has been shaped by Christianity, Islam, and Western charities and media. Nwaubani successfully implements Robert Browning's poem "The Pied Piper of Hamelin" as an extended metaphor throughout. The afterword by Viviana Mazza gives context for the novel's origins, which began with her journalistic collaboration with Nwaubani to document Boko Haram from the point of view of the girls and their families. VERDICT A strong selection for libraries serving teens, especially those looking for book club picks.-Donald Peebles, Brooklyn Public Library © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.